藝術家，生活及工作於雪梨和墨爾本。其裝置、行為表演、預錄聲音的作品，展現她暴露電力運作過程的實驗性手法。在現場行為表演中，她把破裂的電器日常用品雕塑成有節奏強烈、迷幻飄忽，又具威脅性的靜電力場和音場。深刻影響著她處理聲音的製作手法，是對舞曲和電音設備的興趣，和這類設備和實驗性、即興式、合作型音樂創作的方式。

Jannah 的音樂和藝術創作將平凡的數位介面和科技機械化成素材，重新演繹消費者面對乏味的數位器材應有的使用方法，從此激發出新的體驗。在她手中，太陽能板從現成的燈具製造出聲音訊號；遊戲開發程式被用來創造解構式數位影像的裝置。

Jannah Quill is a Sydney and Melbourne-based artist whose experimental approach to the uncasing of electrical processes manifests in installation, performance, and recorded sound. In her live performances, she sculpts cracked everyday electronics into pulsating, beguiling and menacing fields of static and tone. Her interest heavily influences her approach to sound-making in dance and club music apparatus and how this can blend with experimental, improvisatory, and collaborative music. 

Jannah’s music and art practice embrace ordinary digital interfaces and technological machines as materials to generate new experiences reinterpreted from the intended consumer use of the digitally banal. In her hands, solar panels generate an audio signal from off-the-shelf lighting products; a laptop’s text-to-speech function becomes vocal samples on thumping techno-driven tracks, and game development programs are used to create installations of deconstructed digital imagery.

兼具音樂人、藝術家、播音員等多重身分，而其音樂身分包括以樣本為基礎的電子聲音個人創作《Enderie》，和後龐克四人團體《Cured Pink》。他將語言拆解，把動態作品概念化，用音樂嗨翻墨爾本的流動建築、比利時的Kraak音樂節和動聲音、雪梨歌劇院、VIVID繽紛雪梨燈光音樂節、大紫牛喜劇節、聖傑洛米巷道音樂節、下一波藝術節、日惹國家美術館。透過數家唱片公司發行格式多元的音樂作品，並經常在澳洲地下音樂圈的各種場合演出，同時任職於社區電台。

McLellan 擔任許多錄音製作和其他藝術家的聲音設計師、作曲家、音訊工程師，參與的作品曾發表於新南威爾斯美術館、2016 年雪梨雙年展、澳洲國立美術館、映像美術館，川口市、金寶鎮藝術中心、Artspace、當代藝術館、當代藝術中心（布里斯本），並曾於倫敦
Oto 咖啡廳、里斯本 Zed De Bois 畫廊、柏林 NK Projekt 聲音藝術中心、華沙 Mozg 音樂廳、墨爾本藝術中心、布里斯本 Metro Arts 藝術中心、雪梨 Firstdraft 藝廊、Serial Space 藝廊、NOW now 音樂節、Vivid 繽紛雪梨燈光音樂節、Sound Summit 聲音峰會音樂節、墨爾本國際爵士音樂節等處演出。目前生活和工作於雪梨。

Andrew McLellan is a musician, artist, and broadcaster. Andrew’s musical identities include the solo sample-based electronic sounds of Enderie and the 4-piece post-punk act Cured Pink. Andrew has cut up language, conceptualized kinetic works, and pumped big beats for Melbourne's Liquid Architecture, Belgium’s Kraak and Sound In Motion, the Sydney Opera House, VIVID Live, Underbelly Festival, St. Jerome's Laneway Festival, Next Wave Festival, and the Jogja National Museum. Releasing music across numerous labels and formats, Andrew performs extensively across the Australian underground music circuit while working in the community radio sector.

A sound designer, composer, and audio engineer for various sound recordings and other artists, Andrew is credited to works that have appeared at the Art Gallery of New South Wales; Biennale of Sydney 2016; the National Gallery of Australia; Visual Museum (Kawaguchi); Campbelltown Arts Centre; Artspace; the Museum of Contemporary Art; and the Institute of Modern Art (Brisbane). Andrew has performed at London's Café Oto; Lisbon's Galeria Zed De Bois; Berlin's NK Projekt; Warsaw's Mozg; Melbourne Arts Centre; Metro Arts; Firstdraft Sydney; Serial Space; the NOWnow Festival; Vivid Live; Sound Summit and the Melbourne International Jazz Festival. Andrew currently lives and works in Sydney.

陳雋然 Chun Yin Rainbow Chan works across music, performance, and installation. Born in Hong Kong and raised in Sydney, Chan is interested in mistranslations, diaspora, and the effects of globalization on modern Chinese society. Her research engages with the authentic and the copy, exploring sites of exchange and desire which complicate Western notions of originality and appropriate consumption. Central to Chan's work is the circulation of knock-off objects, sounds, and images in global media. Her work positions the fake as a complex sign that shapes new myths, values, and contemporary commodity production.

Tying together her works across installation and pop music is the relationship between nostalgia, migration, and identity. She recently released her debut record, Spacings (Silo Arts & Records), a feature album on FBi Radio, Radio Adelaide, RTRFM. She was nominated for a SMAC Award (Record of the Year). Under her techno project, Chunyin, Chan released Code Switch EP on UK label, Off Out, in September. Chan has performed extensively, including live appearances at Sydney Opera House, Museum of Contemporary Art, Gallery of Modern Art, Art Gallery of New South Wales, Museum of Old and New Art, and Iceland Airwaves. Her installations have been exhibited with Firstdraft Gallery, Liquid Architecture, 4A Centre for Contemporary Asian Art, and Longli International New Media Arts Festival, China.

陳雋然

陳雋然的創作優游於音樂、表演、裝置等領域。出生於香港，成長於雪梨的她，對於誤譯、流離、全球化對華人當代社會的影響等議題極為關注。她所探討的主軸周旋於真品與複製之間，深究讓西方對原創性和正確用法的觀念複雜化的交換和慾望之境況，而仿冒品、聲音、影像在全球媒體的流通散播，則為其創作的核心。山寨版商品在她的作品中變成一種複合式符號，塑造出新的神話和價值，影響當代用品生產製作的走向。

鄉愁、移民、認同感，將她跨足裝置和流行音樂這兩個範疇的創作緊緊串聯。近期發行的首張唱片《之間》（Silo Arts & Records）是FBi 電台、阿得雷德電台、RTRFM社區電台的熱播唱片，並獲提名雪梨音樂藝術文化獎（年度最佳唱片）。她的電音計畫在2016年9月份透過英國唱片公司Off Out發行了單曲《Code Switch》。表演經歷包括在雪梨歌劇院、當代藝術館、現代美術畫廊、新南威爾斯美術館、新舊藝術博物館、冰島電波音樂節演出，裝置作品則曾於Firstdraft畫廊、液態建築、4A當代亞洲藝術中心、中國隆里國際新媒體藝術節展出。

Al Burro（英國倫敦）於 1994 年第一次聽到 Jeff Mills 的Transmission 1 時即對電子樂產生興趣。 受到未來主義式的聲音景觀吸引，回溯到 1995 年他與朋友購入了第一套皮帶傳動轉盤，並從此開始了一段與 Techno 的不解之緣。Al Burro 苦心鑽研工業地下風格音樂，對 Ambient 領域則閒散以待，但此兩者都是他擅長的風格。他堅定地相信一句行內老話：「重點在於情緒而非類型」。你可時常在Korner欣賞他精湛的表演。

Al Burro (London) first became interested in electronica in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995, and this began a longstanding affair with techno. The Burro is equally at home toiling in industrial warehouses as he is lazing in ambient fields. A firm believer in variations on a common theme: It's about the mood, not the genre. You can usually find the Burro at Korner in Taipei doing what he likes doing.

鄭宜蘋又名 Betty Apple（生於 1986 年，生活和工作於台北），身兼聲音藝術家、電子樂製作人、DJ，並以現場藝術、聲音藝術、錄像行為為創作主軸。擅長以聲音與身體為書寫工具，創作觀念從自身成長的後殖民世界挖取題材。以寓言式的互文本褻瀆虛幻歷史包袱和虛假的種族與歷史符號，藉此嘗試脫離工業機械文明的控制，解構新世界秩序。

Cheng Yi-Ping aka Betty Apple (b.1986, based in Taipei) is a sound artist, electronic composer, and DJ, and her practice is mainly in live art, sound art, and video. Using sound and body as her artistic approach, the concept of her works is rooted in the postcolonial surrounding she originally comes from. By desecrating the imaginary historical burden and false symbols of race and history with the fictional intertextuality, Cheng intends to break the control of industrial civilization and deconstruct the new world's order.

Dino，本名廖銘和，居於台北，製作古琴，並做噪音表演。臺灣90年代噪音第二波代表人物，曾為知名團體「夾子」樂隊成員。他的創作標識著九零年代後半期臺北噪音運動在技術上走向純類比電子，在內涵上建立獨立美學之里程碑。Dino 的電子音響來自於極其簡陋的模擬器材，利用線路雜音、靜電或麥克風回饋建立迴圈回路，在無音源的狀況下創造「買空賣空」的「再生音樂」（Recycle Music）。
近年來Dino 參與實驗電影、小劇場現場配樂製作，曾獲臺北電影節最佳音效獎。Dino 對於英倫龐克文化及中國古典文化研究著力甚深，這些影響當可見於其作品之中。

Dino (aka Liao Ming-He) is a guqin (an ancient stringed Chinese musical instrument) maker and noise performer based in Taipei. Once a bassist of the Clippers Band, he is a seminal figure in the second wave of the noise movement in Taiwan during the late-1990s. He uses simple analog equipment to create electronic sound with no input, known as ‘recycle music’, by generating loops from circuitry noise, static, or microphone feedback. In recent years, Dino participates in experimental films and live music production for the theatre. He was awarded Best Sound Effects at Taipei Film Festival (2003). Dino is particularly fond of British punk subculture and traditional Chinese classics, of which the influence can be found from his works. 

Jon Du is a DJ and singer in Forests, a noisy band on the Left Hand Path label in San Francisco, and he is a former guitarist and vocalist in Boyz & Girl. He is also a member of LUDU, an electronic duo on the Taipei-based label Lonely God, which Du co-founded in 2015.

Jon Du，前身為 Boyz & Girl 的吉他手與主唱,現役為由舊金山 Left Hand Path label 發行的森林(Forest)主唱。身兼DJ的 Jon,目前也是 LUDU 的成員之一，LUDU 隸屬於台北廠牌 Lonely God，此廠牌於 2015 年由 Jon Du 與其他團隊成員一同創立。

盧家齊，現為破地獄 Scattered Purgatory 和 LUDU 的團員，曾擔任 Sleaze 湯湯水水吉他手。而在吉他人間界修得正果之後，隨後遁入更純粹的合成器頻率探索領域；一樣從東方的美學出發，並吸收了更多ambient、drone、民族音樂、酸菜搖滾精華。曾於 2016 年在法國廠牌 WV Sorcerer Productions 發行專輯『圓』，2017 年參與英國廠牌 Chinabot 合輯。

Lujiachi is a member of Scattered Purgatory (Guruguru Brain) and LUDU (Lonely God), and he is a former guitarist of Sleaze. While his music practice, once devoted to guitar, has since moved on to synths, Lujiachi's sounds are still rooted in Eastern aesthetics but also combined with ambient, drone, industrial, krautrock, and world music. Lujiachi released an album, Circle, on WV Sorcerer Productions in 2016.

洪梓倪，試圖在現今社會狀態充滿無意義的勞動之中，製造一個環繞的場景／空間讓聽者進入空幻的狀態把自身與外界隔絕，在當下深切感知思緒與身體。創作主要為空間裝置與聲音裝置，探討空間中光線折射明滅與類比聲音交互結合的關係。

Given the meaninglessness of so much work in society, Tzu Ni seeks to create a setting or environment where a listener can enter into a dream-like state, momentarily isolated from the outside world and, in that space, more intensely perceive one’s frame of mind and body. Her spatial and aural installation practice explores the reciprocally constructed connections between analog sound and refracted light.