Visual Art

Sam Wallman is an award-winning Melbourne comics artist who utilizes journalism and the expanded canvas of the web to detail the lives of his subjects while delivering a penetrating social message. Drawing on his co-pursuits as a trade unionist and political activist, Wallman explores topics ranging from the history of trade unionism, meth use among gay, bi, and queer men, to the arbitrariness of human detention. Tim Bollinger interviewed Wallman and wrote an overview of his work for White Fungus.

Sumitomo Fumihiko writes about the video works of Okinawan artist Chikako Yamashiro. Sumitomo writes that the artist deals with local political issues and a history of sexual violence by enveloping them into poetic meditations on nature and the instability of human desire.

In this series of wide-angle polaroids, Yao Jui-Chung photographs Madou Temple's animatronic religious display and other similar depictions of hell from throughout Taiwan and Singapore.

The Brazil-based artist duo Bárbara Wagner and Benjamin de Burca produce films blurring the lines between fiction and documentary. Collaborating with their performers, often figures on the margins, the duo creates works that raise notions of visibility, self-representation, and subversion of dominant cultural forms. Marcella Faustini spoke to the artists and wrote about their work.

Roger Boyce interviews Pavel Pepperstein for White Fungus. The enigmatic Russian painter of hallucinatory landscapes is also known as a writer, critic, art theorist, fashion designer, and rapper.

Henri Cartier-Bresson's photographs of the last days of the Chinese Civil War were exhibited at Taipei Fine Arts Museum in late 2020. The exhibition was scheduled to be held in Beijing in 2021 but was canceled due to COVID-19. David Frazier writes about the exhibition and its complicated surrounding context.