Wan Fujui is one of the pioneers of Taiwanese noise music and sound art. He emerged in the 1990s during the explosion of Taiwanese experimental music that followed the lifting of martial law. In 1993, he founded NOISE, Taiwan’s first zine and record label dedicated to experimental music. His work spans ecstatic extreme noise and sublime sound-and-light installations. 

In 2000, Wang joined the digital art collective Etat, launching the BIAS International Sound Art Exhibition and the Sound Art Prize for the Digital Art Awards Taipei. He has curated numerous exhibitions and events, including the HyperSound Festival and the Taipei Digital Art Festival. In 2011, Wang and Lu Yi co-founded Soundwatch Studio, which continues to promote sound art in Taiwan and internationally. 

王福瑞為台灣早期重要前衛的數位藝術以及聲音藝術家和策展人，他帶領台灣聲音藝術進入了新的領域與發展，1993年以先鋒之姿成立台灣第一個實驗音樂廠牌和出版刊物「NOISE」，2000年加入台灣媒體藝術發展中少數以互動為主的創作實驗團體「在地實驗Etat」，並推動國際「異響BIAS」聲音藝術展與「台北數位藝術節」聲音藝術類別。他曾工作於台北數位藝術中心以及北藝大藝術與科技中心，並策劃多場相關展覽與活動，包含「超響」聲音藝術節、「台北數位藝術節」。2011年王福瑞與盧藝成立「響相工作室」，至今持續致力推動海內外聲音藝術相關展覽、表演以及工作坊，兩人致力嘗試以創新實驗性的聲音作為主要核心概念，執行聲音藝術相關創作與其推廣計畫。

王福瑞目前為北藝大新媒系主任，他的創作廣為展出於國內外美術館與藝術節。近期展覽有2025年於國美館x龐畢度中心「無序樂章：聲音藝術之旅」、新北市美術館的「關係場域：90年代新北文化地景」、關渡光藝術節《幻響 Illusonic》和CLAB聲響藝術節表演。

Yenting Hsu is a sound artist based in Taipei. Using sound as her primary medium, she investigates the cultural context and texture of sonic environments. Her works often explore the relationships between sounds, environment, and individual or collective memories and emotions. Interweaving field recordings with electronic sounds and objects, Hsu experiments with documentary and fiction, narrative and imaginary elements of recorded sounds. Her practice spans multiple mediums and disciplines, taking the forms of installations, performances, audio documentaries, and electroacoustic music.

Hsu’s work has been presented internationally at institutions and festivals such as Perth Institute of Contemporary Arts and Liquid Architecture (Australia), Arte Radio (France), Toyama Glass Art Museum (Japan), and Festival Film Dokumenter (Indonesia). In Taiwan, her work has been featured at Taipei Artist Village, Taipei Fine Arts Museum, Hong-gah Museum, New Taipei City Art Museum, Taitung Art Museum, Cheng Long Wetlands International Environmental Art Project, the Taipei International Documentary Festival, Lacking Sound Festival, On-Site Festival, Taiwan Sound Lab, and Digital Art Center Taipei, among others.

以聲音為主要創作媒材，關注聲音蘊涵的文化脈絡與紋理，作品常映照聲音與環境、個人/ 集體記憶或內在情緒的關係。交織田野錄音、電子和物件聲響，其探索擺盪於錄音聲音的紀錄及虛構、敘事及想像特質間；亦時常混融其他媒材及藝術領域創作，形式涵蓋裝置、表演、聲音紀錄片、電子原音音樂等。

 作品曾於臺北國際藝術村、臺北市立美術館、新北市立美術館、臺東美術館、鳳甲美術館、成龍濕地國際環境藝術節、臺北國際紀錄片影展、日惹紀錄片影展、日本富山玻璃藝術博物館、伯斯當代藝術中心PICA、法國Arte Radio、失聲祭、混種現場、澳洲液態建築(Liquid Architecture)、Asian Meeting Festival、臺灣聲響實驗室、臺北數位藝術中心等展演。

Lim Giong is a composer best known for his music scores for fiction films and documentaries. He has also composed music for shorts, commercials, dance performances, light installations, and VR projects. Lim has collaborated with artists across various disciplines. He is currently exploring abstract electronic tones as well as experimental and ambient music—sailing between reality and imagination, existence and dreams, and reflecting on how we observe life.

音樂工作者，主要製作電影和紀錄片配樂，也曾參與短片、廣告、舞蹈、燈光裝置藝術、VR等配樂，嘗試與各領域的藝術家交流合作，近期探索抽象電子聲響與實驗及環境音樂創作，虛實幻影，戲夢人生，應作如是觀。

HANASAKI Kaya is a Tokyo-based artist who works primarily with performance art and engages in cross-media activities, including workshops, installations, video works, and collaborative projects. Her solo exhibitions include New Units at Plateau Gallery (Tokyo, 2025) and My Home, Our Treasure at Treasure Hill Artist Village (Taipei, 2016). Group exhibitions include Flowers for Urban Maladies at Sono Aida (Tokyo, 2022) and Exposing the Bushes at Tokyo Arts and Space (Tokyo, 2020). Projects include the East Asian Exchange Project (Taichung, 2016).

出生於東京。2012年取得東京藝術大學美術研究科先端藝術表現專攻碩士學位。以行為藝術為主軸、從事跨媒體活動、包括計畫、工作坊、裝置及影像作品等。主要個展包括《新單位》(2025年、東京)及《我的家園、我們的寶藏》(2016年、台北)。聯展包括《Flowers for Urban Maladies》(2022年、東京)及《Exposing the Bushes》(2020年、東京)。計畫包括《東亞交流計畫》(2016年、台中)。

Nick Tsai is a sound artist based in Taichung, Taiwan. He creates a wide range of atmospheres, from pure ambient textures to experimental soundscapes, primarily using modular synthesizers. His work explores the emotion and organism of sound. In 2021, he began the Plant Sonification project, using plants as his primary inspiration. By examining the posture and texture of plants and expanding on concepts of the organic and natural, Tsai has developed generative music, plant sound-and-light installations, and other experimental creations.

蔡瑋德為一位聲音藝術家。創作以ambient、experimental 電子樂為主。喜歡去尋找不同聲響質地的極小值，與聲響之間所傳達的訊息，並將每個單位賦予生長機制，讓它在時間軸上長出一連串有機的聲響場景。於2021年展開Plant Sonification創作計畫，以植物為核心動機，將植物的姿態與質地、以及對有機與自然的想像加以延伸，來開展出生成式音樂、植物聲光裝置等等。

Lai Shi-Chao is a musician and sound artist with wide-ranging interests in art, culture, and interdisciplinary collaboration. Rather than focusing on a single area of research, he instead allows his practice to expand in multiple directions according to his personal interests. Lai employs environmental recordings, guitar, and synthesizer effects in creating his sound works, engaging with social and political issues or on other occasions introspectively exploring the self, contemplating life and the universe, including acts of construction and destruction, existence and non-existence. His professional work is equally diverse: Lai works as an exhibition technician, manages arts and cultural spaces, and occasionally creates graffiti.

賴士超，喜愛廣泛的藝術文化，及各種跨領域合作，無專精研究領域，依個人生活喜好多向延展；聲音創作大多以環境素材、吉他與合成器效果作為主要工具，內容時而關注社會政治，時而內化自我心靈層面，觀想生命宇宙，包含建構及毀壞，無有─有無；個人工作涵蓋繁雜，既是專業展覽技術人員，也作為藝文空間營運管理者，偶爾又作為塗鴉創作者；對於藝文環境有些美好想像，時常戮力於實驗展演場景的策劃與執行。