Sound

台灣聲音藝術家許雁婷創作沉浸式作品，探索自然力量與人造環境之間的相遇——從莫拉克颱風的滂沱暴雨，到台北「鐵匠街」的金屬節奏，以及成龍濕地日常生活的聲響。她的聲景模糊紀錄、虛構與聲音想像之間的界線，引領觀眾以嶄新的方式體驗記憶、場所與生態。在本次對談中，《白木耳》（White Fungus）編輯榮恩與許雁婷談論其創作實踐，以及聲音的虛構可能性。

Taiwanese sound artist Yenting Hsu creates immersive works that explore encounters between natural forces and human-made environments—from the torrential rains of Typhoon Morakot to the metallic rhythms of Taipei’s "Blacksmith Street" and the everyday sounds of the Chenglong Wetlands. In this interview, White Fungus editor Ron Hanson speaks with Hsu about her practice and the fictional possibilities of sound.

Taiwanese interdisciplinary artist Hong-Kai Wang creates collaborative situations in which musicians, composers, and audiences engage in productive listening. Through experimental modes of sonic sociality, she turns collective listening into a mode of political engagement. In 2013, Wang’s frequent collaborator Mattin wrote about her work for the 13th print issue of White Fungus, now available online.

Scott Arford is a key figure in the San Francisco Bay Area’s new media art scene. He creates total immersive synesthetic environments in which the perceptual and physical qualities of sound and light merge into a disorienting, ecstatic whole. Trained as an architect, Arford approaches space as a continuous sensory field. Marcella Faustini interviewed him for White Fungus.

《白木耳雜誌》剛發行了其沉寂許久的姊妹刊物——中英雙語的《潛意識餐廳》之第五期；適逢臺中市立美術館（綠美圖）開幕之際出刊，同時這次發行也是與該館首檔展覽——《萬物的邀約》（2025年12月13日至2026年4月12日）相關合作計畫的一部分。

White Fungus has released the fifth edition of its long-dormant sister publication, The Subconscious Restaurant. This new bilingual (English and Chinese) issue is being released on the occasion of the opening of Taichung Art Museum.