Sound

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Collective Listening in the Work of Hong-Kai Wang
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Taiwanese interdisciplinary artist Hong-Kai Wang creates collaborative situations in which musicians, composers, and audiences engage in productive listening. Through experimental modes of sonic sociality, she turns collective listening into a mode of political engagement. In 2013, Wang’s frequent collaborator Mattin wrote about her work for the 13th print issue of White Fungus, now available online.
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Scott Arford’s Architecture of Noise
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Scott Arford is a key figure in the San Francisco Bay Area’s new media art scene. He creates total immersive synesthetic environments in which the perceptual and physical qualities of sound and light merge into a disorienting, ecstatic whole. Trained as an architect, Arford approaches space as a continuous sensory field. Marcella Faustini interviewed him for White Fungus.
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《白木耳雜誌》剛發行了其沉寂許久的姊妹刊物——中英雙語的《潛意識餐廳》之第五期;適逢臺中市立美術館(綠美圖)開幕之際出刊,同時這次發行也是與該館首檔展覽——《萬物的邀約》(2025年12月13日至2026年4月12日)相關合作計畫的一部分。
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White Fungus has released the fifth edition of its long-dormant sister publication, The Subconscious Restaurant. This new bilingual (English and Chinese) issue is being released on the occasion of the opening of Taichung Art Museum.
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廖銘和(Dino)是台灣噪音音樂領域的先驅之一,該領域於1990年代戒嚴結束後興起。他拒絕使用合成器、取樣器和其他數位工具,而是通過簡單的類比設備生成的回授創作電子音樂。Dino熱愛傳統茶道,是一位篆刻家,同時也是古琴演奏者。2022年1月,Dino因食道癌併發症在台北去世。他不僅以藝術造詣被人銘記,也因其隱居的生活方式和獨特的神秘氣質而廣受懷念。顏峻回顧了他的生命與創作。
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HH是由台灣聲音藝術家姚仲涵和葉廷皓於2013年組成的聲音影像團體。這個團體在台灣實驗藝術和音樂圈中極為活躍,直到葉廷皓於2024年不幸去世。這個聲音影像團體,探索了噪音、電子舞曲和視覺影像之間交會與互動的灰色地帶。羅悅全(Jeph Lo)曾於2014年底,為《白木耳》的姊妹刊物《潛意識餐廳》第三期,撰寫了關於HH的文章。現在,您可以在白木耳的網站上閱讀到這篇文章。