Performance

Lin Chi-Wei is a key member of the pioneering generation of Taiwanese noise/sound artists that emerged in the 1990s. Lin has made landmark contributions as a writer, performer, artist, and member of Z.S.L.O (Zero Sound Liberation Organization). In Lin’s Tape Work, the artist sits in the center of the audience and unfurls a tape of ribbon or paper upon which characters are hand-printed or embroidered. Passed hand to hand through the crowd, each audience member/participant vocalizes the succession of phonetic symbols. The result is the creation of a multi-headed human tape machine. In the Taiwanese-language version of the work, Lin reactivates the “killing tone” or (Rù tone 入聲) from the medieval Chinese seven-tone system.

Kalisolaite ‘Uhila is a Tongan performance artist based in New Zealand. In his 2011 work "Pigs in the Yard", 'Uhila challenged western notions and treatment of the pig. In traditional Tongan culture, the pig is sacred. 'Uhila's performance afforded pigs this reverence while challenging audiences to reappraise their relationship to these sentient creatures.

The Brazil-based artist duo Bárbara Wagner and Benjamin de Burca produce films blurring the lines between fiction and documentary. Collaborating with their performers—often figures on the margins—the duo creates works that raise notions of visibility, self-representation, and the subversion of dominant cultural forms. Marcella Faustini spoke to the artists and wrote about their work.

Kyra Kordoski speaks to performance artist Melati Suryodarmo and dives into her deep corpus of durational works.

In one of her last major interviews, Carolee Schneemann spoke to White Fungus editor Ron Hanson and looked back on her life, stretching back to her early childhood drawings and adolescent adventures in Mexico.

Nicola Trezzi explores the Indonesian art scene by profiling six key artists.